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3 AM. The Witching Hour.
A time during which the boundary between normalcy and the profane is at its weakest, when safety’s veil over mankind thins to gossamer and allows fear to seep through. Winds start to carry whispers, and the creaks of one’s home bring with them thoughts of unseen presences. At that hour, all that lurk in the darkness are at their most terrifying.
That’s the belief, anyway - one reinforced by generations of sleepless nights. And in Gensokyo, belief is a force of nature in and of itself. Surely then, at this very moment, you must be at your peak. Surely.
Despite your effort to steel your revolve, your breath shivers past your lips. The pressure in your chest is no less oppressive than it was moments ago. If anything, it only mounts further. But you have to be strong, now more than ever. Frightening as it may be to take the first step, you have to do this. For her.
Forcing yourself forward, your foot steps past the torii gate of the Hakurei Shrine. You’re trespassing on sacred ground now. The pressure in your chest doubles, a palpable weight that threatens to buckle your knees. But the night makes you strong. The next step is easier to take, and the step after that even more so.
It gets so much easier to keep pushing onward, in fact, that by the time you’ve made it halfway down the leaf laden walkway, you’re starting to feel rather light and jumpy instead of leadfooted. The fear of getting caught skulking around is a great motivator to hurry up, as it turns out. And so, you skedaddle around the building in your desperate search for her.
Due to the special link you two share, you find yourself naturally drawn toward a grove of cherry trees a short distance from the back of the shrine. You bypass the main shrine grounds entirely, feet guided by an invisible connection. There, half-buried in a layer of pink petals from spring’s end, your gaze settles on a large stone - a paper talisman stuck to its surface. A seal. The seal that contains your master.
The sight is almost enough to bring you to your knees. Couldn’t the Hakurei have thought of a better prison than a rock?
Acting on impulse, you reach for the slip of paper, prepared to tear it off. This goes rather poorly. The moment your hand makes contact, a blinding flash overwhelms both the night and your vision. Your eyes are in pain, enough so that you almost don’t notice the other horrible pain you’re experiencing in your hand from the shocking sensation that accompanied the light.
Yelping as you stagger a few steps back, you start to rapidly blink and shake your hand off, desperate to erase the splotches dancing across your vision. Childish, perhaps, but it’s all you can think of to alleviate the spiritual burn caused by the seal’s defensive zap.
Once you’ve banished the sight impairing spots from your vision, you instinctively look down at your hand. Skin sizzling, fingers twitching. Biting back a hiss, you lament how foolishly brazen it was to simply grab at the seal without any preparation whatsoever. No wonder other youkai don’t mess with the Hakurei.
Speaking of the Hakurei, it suddenly occurs to you that the seal going off caused quite a light show, and you’re alarmingly close to the main building of the shrine, well within earshot. Should you make yourself scarce? But what about your master? Leaving wasn’t part of the plan. The plan was to.. well, finding your master was just about the long and short of it, actually. Perhaps this whole witching hour operation could have been workshopped a little longer.
“What do you think you’re doing?”
Your stomach drops.
Whirling around in a clumsy, lurching motion, you instinctively cradle your burnt hand close to your chest to hide the evidence of your misdeed - as if you’d been caught red-handed in the cookie jar. Your eyes dart toward the voice’s source, widening as you find yourself pinned beneath the steady gaze of the shrine’s maiden herself. Even sloppily garbed in wrinkled, slept-in shrine attire, she instills a paralyzing terror in you. From the flat look you’re being given, it's painfully obvious she’s not very happy about waking up in the dead of night.
“Beat it.” Her irritated voice cuts through any sense of strength the witching hour once gave you. “I don’t have patience for a random youkai poking around the shrine at night.”
…Random youkai? Did she just call you a random youkai?
Is the night making you difficult to make out? Doesn’t she recognize you? Surely she must. She couldn’t have forgotten you already - it’s only been a week since your last encounter with her. A week since the day she sealed your master into the very stone you stand in front of.
How could the Hakurei Shrine Maiden not recognize the familiar of the great Lady Mima?
[ ] Time to leg it. Coming here was a stupid idea from the beginning and facing the Hakurei’s wrath is a doubly stupid idea. There’s no telling what she’ll do to you if you upset her further.
[ ] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
[x]Time to leg it. Weakness is one thing, but certainly Lady Mima would never accept stupidity from her servant. We need a new plan.
(Minor nitpick, but in Japan the witching hour is actually considered to be twilight. Like in the name of the stage 5 theme from Unconnected Marketeers.)
Be brave!
[X] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
>>214840
>(Minor nitpick, but in Japan the witching hour is actually considered to be twilight. Like in the name of the stage 5 theme from Unconnected Marketeers.)
Depends on what you mean by witching hour. I assumed that it was supposed to be 丑の刻, which is more or less equivalent.
[x] Time to leg it. Weakness is one thing, but certainly Lady Mima would never accept stupidity from her servant. We need a new plan.
[X] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
>it’s only been a week since your last encounter with her. A week since the day she sealed your master into the very stone you stand in front of.
so is this shortly before TH6? or why do i get the feeling that our character lost track of time or something and its been more than a week and that's why she's forgotten him? (or its just Reimu and yeah a week is all that it takes.)
hmm what to pick, do we make Like Marisa and skedaddle when caught or stand and fight get squished like a bug... or pull something off, you never know
now would Mima want her familiar to be learning the same mindset as her apprentice? ... I don't think so but on the other hand even so how different would you want a familiar to act? hmmm...
[X] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
going wtih this for now depending on how much time we have to vote, almost feels like we'll get more info from this? if Reimu recognizes us... or maybe in some ways if she doesn't (namely is this being Reimu not really caring or has something happened that has made people forget our character?) will give us more context and stuff.
[X] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
Assuming we have no chance always leads to you missing any possibility of success. Show 'em a good time.
>>214840
>>214841
Ah, yes.. I didn't make a mistake. 丑の刻 was always my intention. From the very beginning.
>>214845
>so is this shortly before TH6?
This would be a safe conclusion.
>why do i get the feeling that our character lost track of time or something
iunno, crazy :)
>going wtih this for now depending on how much time we have to vote
I'm going to start writing the update in 2-3 hours, so I'll say that's when the vote closes. We're currently at 4 votes to be brave and 2 for scampering.
[x]Time to leg it. Weakness is one thing, but certainly Lady Mima would never accept stupidity from her servant. We need a new plan.
Why do i get the feeling this familiar is a bit of a girl(boy?)failure? I mean, they randomly grabbed a seal. Not the best plan, but smart enough to run away.
[3] Time to leg it. Weakness is one thing, but certainly Lady Mima would never accept stupidity from her servant. We need a new plan.
[4] Stand your ground. Defy your fear and give her a reminder of who you are. Even if you have no chance of victory, Lady Mima would never accept weakness from her servant.
A tense silence settles over the grove. Every inch of your body is locked in place, petrified to stone beneath the weight of the young girl’s withering stare. Immobile as your body is though, your mind races with a thousand thoughts. None of them are useful thoughts, sadly. After the words ‘this is bad’ play through your head once, they repeat another nine-hundred ninety-nine times in rapid succession.
You should run. You really should. If even Lady Mima herself was beaten and sealed away by the Hakurei, what chance do you stand?
Yet, here you stand, feet planted firmly in place without any intention of moving them. The fact that she doesn’t recognize you… it bothers you more than it should. The words buzz in your ears like an incessant fly you can’t swat away. The two of you may have only met face-to-face once before now, but it was a very weighty encounter. Recent, too.
“Don’t tell me you’ve already forgotten,” you force out, packing as much bravado and bite as you can into it. She doesn’t even blink, entirely unimpressed. Too late to soften the hard edge in your voice now though, you’ve already committed. “What? Hit your head?”
Actually, maybe she did? Shooting her noggin a quick glance, you don’t spot any evidence of injury. The only thing that stands out is that her roots are showing. Her hair isn’t naturally purple, apparently.
Your attention snaps back as she raises her hand, and a yin-yang orb swirls into existence over her open palm. The orb slowly turns in place, casting a pale glow that illuminates her impassive face. Looks like she isn’t interested in talking.
Intimidated, you take a step back. Your heel catches against the stone containing your master, nearly tripping you. Glancing down at the prison, a thought suddenly occurs to you. Can Lady Mima see from in there?
The thought of getting exterminated as she observes helplessly from within the stone punches you in the gut. While you don’t really understand how seals work, the thought that she might be watching sparks a boldness within you. Spurred on by that pulse of bravery, you turn back to the shrine maiden and straighten yourself. You flare your wings to the night, hold your chin high, puff your chest out, and clench your fists to your sides, the spiritual burn momentarily forgotten. “I’m not just a ‘random youkai,’” you bark defiantly. “I am Lady Mima’s ever faithful servant! I was with her in your last encounter.”
At the mention of your master’s name, the young shrine maiden’s dry glare sours. Her eyes narrow, an inscrutable look on her face as she leans forward to examine you more carefully. Something seems to click behind her eyes. “...Oh, right,” she grumbles, her tired irritation dialing down a pinch. Brows furrowing, she deliberates on her words before continuing. “You’re still around?”
“Of course I am. Where would I have gone?” Although you maintain a snappy tone, you’re silently pleased to hear that the girl does recall you, even if you had to press it out of her. Now that you’ve got her talking, your mind scrambles to find a line of attack. The longer your conversation lasts, the better an assault you can scrape together. And against the Hakurei Shrine Maiden’s flawless win record, you’ll need something damn good.
“Figured you’d have been sent back to wherever she dragged you from?” The ignorant girl’s face screws up into something resembling pity. “That seal was made extra strong, so forget about freeing her. That last stunt she tried pulling was crossing a line. You’re lucky we didn’t seal you too for helping.”
Maybe you could attack from the air. You recall hearing that she has trouble flying without assistance, and you see no turtles around for her to leap onto. While the idea takes shape, she lifts the orb threateningly, fixing you with a dangerous look. “And that’s the end of it. Now leave. I’m done talking about it.”
“I-”
As soon as you attempt to stretch the conversation further, she lobs the orb straight at you. You don’t even have time to think. She moves too fast. The ancient relic cracks against your dome, abruptly forcing your consciousness from you.
Why did I even bother? Although sulking hasn’t yet stopped the throbbing in your skull, you continue to wonder variations of that same lamenting thought on loop as if it would eventually cure the pain.
It’s been about a day or so since you (badly) attempted to rescue Lady Mima, and you’ve got nothing to show for your efforts but a brutal headache and tattered pride. In retrospect, there was no winning in that situation. Either you looked like a coward or you looked weak - right in front of your master’s stone. The real failure was your impulsiveness though, how you had reached for the seal without thinking. But honestly, even if you hadn’t, what were you going to do? Not like you know how to undo seals.
Hopefully Lady Mima isn’t actually able to see through the rock. If she saw that performance, she might just disown you.
Now here you are, slumped against the base of a tree as night starts to fall over whatever forest you crawled your way into after waking up. The woodland around you is overrun with trees. It's all horribly overgrown, you tripped over more than a few gnarled roots during your trek and stopped only when your headache became unbearable. At least your hand is mostly healed by now. You give it another shake just for good measure.
Resting your head back against the firm wood and pulling your leathery wings over your body as a blanket, you let out a heavy sigh and stare up at the rapidly darkening sky. The emerging stars leave you wistful. Lady Mima often had you chart constellations. Taking notes, performing calculations based on planetary alignments. Are those days behind you now? You’d like to think they aren’t, but it’s clear that rescuing your master from her captivity won’t be a simple task.
Yet, you can’t leave her. Something in you won’t allow it. What is a witch’s familiar without a master?
You need a plan.
And that’s its own problem. Lady Mima was always the one with a plan. You followed, you obeyed. You were meant to carry out orders, not scheme or plot. However, that is exactly what is now required of you.
Where do I even start? Your lips twitch downward. Certainly you can’t break her out by overpowering the seal. If it’s strong enough to contain Lady Mima, it’s strong enough to swallow you whole. Is it even possible for a familiar to be stronger than its master? That seems wrong. You wouldn’t know. Lady Mima was the one that knew everything.
An unpleasant scent stops you from continuing your ruminations. You turn, already grimacing, and flinch. A little girl in a black blouse is standing over you - the source of the odor, you detect. Dirty socks and rotted meat. How long has she been standing there? Hopefully not long, that would be embarrassing.
The girl tilts her head, staring down at you with a curious expression. Her arms are held out at her sides as if she were trying to measure a fish, maybe? One larger than her armspan? Strange.
“...Need something?” you murmur, reaching up to rub your head again. The headache has dulled some during your bout of deep rumination, thankfully.
The girl nods immediately, red ribbon bouncing. “You smell like blood.”
“What?” Your eyebrows pinch together. Yes, you got smashed by the Hakurei and ate dirt, but she didn’t draw blood from you.
“You smell like blood,” she repeats helpfully, then points at your middle.
Frowning, you draw your wings back and glance at your waist. Indeed, there’s a dark stain pooling against your left hip, and you immediately realize why. Reaching beneath your sash, you retrieve your master’s bloody knife. She’d given it to you not long before getting sealed. Something important to her, you surmised, though you didn’t ask about its significance. Trying to wipe it clean is a fruitless gesture, you’ve found. The blade always seems to have a fresh slick of blood stuck to its surface.
Since you didn’t have anywhere to carry it cleanly at the time, you had tucked it under your sash. Now it’s ruined Marisa’s dress. Not that you especially liked this hand-me-down thing anyway. Especially not after what happened between you two…
Thinking about it, you’re glad it’s stained. Gives you a good reason to throw it away.
“Can I taste it?” The girl cocks her head again, eyes fixating on the eternally blood stained knife as she reaches out for it, making grabby hands. Then she stops, recalling her manners. “Please?”
This girl is either a youkai, or a very unsettling child wandering the forest at night. The second option seems less likely. You look at her, then back down at the knife, and consider your options.
[ ] Let her have a taste. Why not?
[ ] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
[ ] For a favor. You were just thinking about how you needed to start making plans, so you might as well get something in exchange for this. (Include a write-in of what you’d ask for)
[?] (Write-in)
[X] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
Lady Mima's knife will not fall into the hands of this half-pint yokai (though it appears that we aren't the strongest either)!
[X] For a favor.You were just thinking about how you needed to start making plans, so you might as well get something in exchange for this.
-[X] If there's one thing any creature can't be it's be two people at once. Let her mess with the Hakurei while you sneak up and sucker-punch her. This little girl doesn't seem smart enough to realise she's going to be bait, nor does she seem to particularly grudge against that.
Maybe there's a little too many assumptions there but first thing that crossed my mind
[X] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
[X] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
It's might be tattered, but we still have our pride in being Mima's faithful servant. No other should even touch it.
[X] Use the knife to ritually sacrifice the girl for power. As the familiar of a witch, you’ve helped out with a great many rituals. If you’re not strong enough to break the seal on your master as you are, the only answer is to get stronger. You have the perfect ritual in mind and it shouldn’t be difficult to convince this youkai to play along though you should be strong enough to knock her unconscious and sacrifice her if she somehow manages to see through your trick.
Yes, I want to play an unadulterated psychopath of a main character, why do you ask?
I think this’ll be fun.
[X] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
Do not feed the Rumia, lest she follow us and munch on our toes in our sleep.
And yeah, unsurprisingly, Reimu beat the sass outta us.
[X] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
she gave it to us for a reason, and Mima is someone that if she can get the chronically disrespectful Marisa to be respectful, she would probably inspire that same respect in her familiar, so I'd say he would want to hold onto it... heck the blood might even be important... especially if its an eternally bloody knife.
>Now it’s ruined Marisa’s dress. Not that you especially liked this hand-me-down thing anyway. Especially not after what happened between you two…
?Thinking about it, you’re glad it’s stained. Gives you a good reason to throw it away.
uh oh =( hope we find out what happened between apprentice and familiar soon!
>This would be a safe conclusion.
>Brows furrowing, she deliberates on her words before continuing. “You’re still around?”
... (≖_≖ )
It appears that killing Rumia for power isn’t a popular proposition, huh?
I find that sad.
Also, Lord Hylia, I’m fairly certain the familiar is female. Most males don’t wear a dress.
>>214857
Most still mean there's a chance. And the dress is a hand-me-down, Mima might not care about giving proper clothing.
[ X] For a favor. You were just thinking about how you needed to start making plans, so you might as well get something in exchange for this.
-[x] Maybe, just maybe. hear me out, we let her taste and get her to distract the shrine maiden while we ever so sneakily, with our immense power of being forgotten, go steal the rock.
>>214859
...I mean, it does seem to be an eternally bleeding knife... it might not run out... though once she has a taste will she stop? though the amount it does overtime is slow if it only now ruined Marisa's old dress...?
hmmm.
point there, I actually missed that bit the first readthrough somehow.
>>214857
If it makes you feel better, I chortled when I first read your suggestion :)
>>214858
Although you make an excellent point, the familiar is a female, like most Touhou characters.
>>214860
>though the amount it does overtime is slow if it only now ruined Marisa's old dress...?
Just to clarify: the knife is always freshly bloodied, but it doesn't constantly drip like a faucet. It only produces more if you were to wipe it off, such as if cloth were constantly rubbing against it.
[x]Hold it close.
There's no honor among youkai after all...
[1] Use the knife to ritually sacrifice the girl for power. As the familiar of a witch, you’ve helped out with a great many rituals.
[2] For a favor. Let her distract the Hakurei while you sneak up and sucker-punch her/steal the rock.
[6] Hold it close. It’s one of Lady Mima’s prized possessions, the only one she left you with, even.
For a brief moment, you consider the merits of bargaining with her. You could tell her to attack the Hakurei in exchange for allowing her a lick of the knife. It wouldn’t cost you anything since the blood will reappear, and it would buy you an opening. A distracted shrine maiden is one you can blindside, or at the very least, one you can slip past in order to whisk away the stone containing your master. But neither of those outcomes would really help you in freeing Lady Mima. Stealing the prison won’t free its prisoner, not until you learn how to undo seals at least. Besides, if this girl’s breath smells as bad as the rest of her, you suspect that you’ll quickly regret having her slobber all over something you plan to carry close to your body.
Ultimately, you pull the knife away from the half-pint’s reach. Although you don’t know why it mattered to Lady Mima, she still entrusted it to you. That alone is enough to make it important to you. It’s the last thing of hers you have. Something that says she had faith in you. You’ll protect this knife with your life. No other shall touch it.
Your reply is as sharp as it is succinct, leaving zero wiggle room for argument. “No.”
“Ah?” Shorty’s jaw goes slack, then the rest of her face scrunches up in a knot of dismay. She flaps her arms about as if she could physically smack your response aside if she tried hard enough. “How come?”
“Because I said ‘no.’ Is that not enough?” You hug the knife to your chest possessively, glaring at the childish youkai. It would appear that she’s either too socially inept to realize what a boundary is, or she doesn’t care.
Her floundering intensifies, now with hopping and waddling added to the mix. The display almost reminds you of a headless chicken’s last frantic scramble. Once she finishes dancing like she has ants in her pants, she leans into a heavily exaggerated bow and dives straight into your personal space. Her head stops two inches from your bosom, nose poised directly over the knife to sniff at it greedily while her eyes tilt up at you, large and pouty. “Pleeaase?”
You recoil, lifting your foot and planting it on her stomach. Then, with a firm shove, you extend your leg and forcibly push her back to a sane distance. She whines the whole way, heels scraping against the dirt like you’re the one being unreasonable. “If you need a reason,” you say in a clipped tone, “it belonged to somebody important to me. So I don’t want people touching it.”
“Is that so?” The light drains from her eyes. It’s the sort of uncanny, expressionless look that a human would find deeply unsettling. A leer from a creature fundamentally inhuman. The gaze of a youkai.
“Yes. That is so.” Huffing out a sassy response, you figure that should have been blunt enough to settle the conversation.
It doesn’t.
The short youkai continues to stand there with her arms stiffly splayed out at her sides, staring at you as if waiting. You keep your heel firmly braced against her, just in case she attempts to violate your comfort zone again. Hopefully she’ll get the message sooner or later.
Things stay like this for a while, your eyes and hers locked onto each other in an unblinking stalemate. Honestly, how inconsiderate can a person get? You made yourself pretty clear. Why can’t she just respect your wishes? If she wants a taste of blood that bad, she could just look around for an idiotic human wandering around in the night. In fact, you should say exactly that out loud.
“You know, there are more filling meals out there than what’s on this knife,” you tell her, gesturing out toward the treeline with said knife for emphasis. She doesn’t need to know that the meager amount you hold is, in actuality, an inexhaustible supply. “Outsiders fall into Gensokyo often enough, and children are sometimes brave enough to play outside the village walls at night. How about you go hunt for one of them instead of hounding me?”
“But I don’t want to go hunting,” she says immediately, as if she’d prepared the answer. “Finding food takes time, and I’m hungry right now.”
The throbbing pain behind your eyes returns in full upon hearing that. Of course. Of course she’d actively want to make herself a nuisance to you. Irritated, you start to put your brain to work on a solution. You’re not particularly keen on having a brawl with this pounding headache of yours. Not to mention your hand is still a little sore. Maybe you should just fly away and hope she doesn’t follow.
"Vita est una longa pugna in tenebris. Una ultima media nox nos omnes exspectat. Cur resistere?"
Blinking hard, you’re taken aback as the seemingly dim girl starts spluttering in tongues. Bewildered, you react slowly, staring at her with a stupid look on your face as she grabs your ankle and-
“ACH!” The yowl erupts from the depths of your soul. The impudent gnat just bit your foot!
Acting on instinct, you yank your other leg up and begin hammering her with your heel, stamping down against the vicious piranha’s face in an attempt to dislodge her. On the fifth strike, she finally lets go, her jaw popping open as she drops to the grass. Immediately, you snatch up your injured foot in both hands with a hiss, dropping the knife into your lap for the time being.
The parasite screws up her face, spitting a small mouthful of black blood to the floor in disgust before wiping her chin clean with her sleeve. “You taste like burnt bitter ick!”
“Did you think these were for decoration?!” You flex your wings with a hateful snarl, giving them a few aggressive flaps for emphasis just to really drive the point home. “Of course I won’t taste good, you leech! I’m not human! Youkai aren’t food! Do you even have a brain?”
A small, deeply frustrated part of you momentarily considers stabbing the whelp and devising a ritual to siphon her strength into you. The thought is quickly snuffed out; you’re not nearly so malicious even while deeply annoyed. And even if you were, you don’t have the resources for a mighty and complicated incantation like that. Not yet, anyway.
The girl curls her lip at you and jumps to her feet, shoulders tensed up like she might try to lunge again. But a timely grumble from her gut drains the fight from her. Too hungry to justify attacking something that tastes gross, she sticks her tongue out at you and announces her incredibly childish opinion of you. “I don’t like you.”
Having said all that she cares to, the girl promptly engulfs herself in a bubble of pure shade. The shadowy ball is so dense that not even your dark-tuned sight can pierce it. It wobbles in place for a moment as if deciding which direction to go, then begins to drift away between the trees. You watch the sphere carefully as it wanders aimlessly into the night, finding a flicker of satisfaction in how the orb lurches a few times as the girl trips over a few of the overgrown tree roots.
Once the night is quiet again, you release the tension in your body and allow your shoulders to sag. Seems the situation has resolved itself. Not the worst conclusion, considering you're still licking your wounds from the Hakurei, and if those led to you getting beat up by some bratty runt? The thought of what Lady Mima would say makes your stomach twist.
At least you upheld your pride as Lady Mima’s servant. You successfully kept the knife from being touched. It’s a small victory, but a victory nonetheless.
Shaking your head, you turn back down to your poor foot. Your toes are covered in sharp puncture marks. You’d be forgiven for thinking it was caused by a shark. It’s a superficial injury for a youkai, something that your body will easily heal in a day or two at most, but it still hurts. The teeth marks have also shredded up your sock, and now they're stained with ichor. When you get around to finding new clothes, you should heavily consider getting some shoes.
What was I even thinking about before that little menace interrupted me? Scattered thoughts and their acquainted memories flash through your mind’s eye before landing on the answer. Oh yes. Right, right, right. Where do I start with a plan to save Lady Mima?
You press your back up against the tree and get to thinking. Since acquiring the raw power to break the seal by force is likely out of the cards, you’ll need to start with the basics. In this case, that would be an understanding of how seals work. Once you have that, you’ll be able to return to your master’s stone with much more than raw desperation. You would be able to examine the seal’s warding with an educated eye, find the seams and flaws in its defenses, and with any luck, calculate a way to exploit them. You’ll just need to find either somebody or something that can teach you about seals. That all seems doable. Probably.
As luck would have it, you have the perfect ability to get you started with the task. Your eyes focus on the constellations above. They’re a little hard to make out past the thick canopy, but their twinkles are bright tonight, allowing you to figure out everything you need to know in the comfort of your seated position.
There’s a reason Lady Mima chose you as her familiar.
You can read the meaning in things naturally chaotic. Find patterns in discord and make concrete sense of them. Sure, somebody could spend a few decades hunched over some books and come out a fortune-teller, but you were born with the knack. Divination is your specialty.
And nothing speaks more clearly than the starry night sky. It’s a guiding force for anybody who peers up at it. Always there, always wanting you to reach out. Your eyes sweep across the constellations above, scouring them with a sense greater than sight in search of a sign. Something that will tell you where to go or who to see. You’ll take anything.
The stars answer.
Your eyes fixate on a particular point overhead. There was a flicker. It would be just an innocuous pulse of light to most, barely detectable against the dazzling canvas that is the night. But you know the truth. You’re certain that was a response.
The stars shall lead to…
[ ] The edge of the Forest of Magic, a stone throw away from the Human Village.
[ ] The Garden of the Sun, smack dab in the middle of the golden sea of petals.
[ ] The base of Youkai Mountain, in a thick maze of winding trees.
[X] The edge of the Forest of Magic, a stone throw away from the Human Village.
let's find out what the feud between our familiar and the apprentice is? or get in contact with master's temporary maid? (what is she doing here? didn't she go back to Makai?) or perhaps a Jizo to help us as a weary traveller (...which if she is... that would raise interesting questions about time wouldn't it? )
>Vita est una longa pugna in tenebris. Una ultima media nox nos omnes exspectat. Cur resistere
Life is one long battle in the dark. One last midnight is waiting for us all. Why resist?
[X] The edge of the Forest of Magic, a stone throw away from the Human Village.
“Marisa. I’m putting together a team. One last big job and you are out of the business (of serving Lady Mina faithfully like the tattered human whelp you are) for good.”
Also, maybe we could find some useful stuff in her house or Kourin’s shop.
[X] The Garden of the Sun
>>214865
Goes hard af
[X] The edge of the Forest of Magic
Mima's all about magic, after all.
[X] The Garden of the Sun
Teach us the art of murdering our fellow youkai for sport, Yuuka “Genocide is just another game” Kazami-senpai!
Also, Yuuka has met our master Mima before.
so we're pretty sure that the forest of magic at least are the magicians, most likely Marisa, and Garden of the Sun is Yuuka, who is the person we're suppose to find at the base of Youkai mountain I wonder?
[X] The base of Youkai Mountain, in a thick maze of winding trees.
I know this aint going to be picked but just the idea of our dear protagonist bumbling their way into a random kappa outpost, filing through their Dr. Wondertainment quality gadgets only to get promptly beat up by the people who actually know how to use them is too entertaining not to try
[X] The Garden of the Sun, smack dab in the middle of the golden sea of petals
You know.... the sun is technically a star.
>>214869
AND you are right, maybe, just maybe, under the star's light, and the sun's might... she will want to help save Mimar
[Z] The edge of the Forest of Magic, a stone throw away from the Human Village.
[X] The edge of the Forest of Magic
Time for Girlfailure to reunite with her master's apprentice!
...Also, seeing things in the stars...
Usami...?,
>...Also, seeing things in the stars...
>Usami...?
I was thinking the same thing, but there are differences, Usami's star ability is instinctual navigation as long as she can see the stars, meanwhile our familiar is more Astrology, divination from those stars instead. which fits being Mima's Familiar with her star magic.
though with her bat wings it sounds like she's a demon? I wonder what she was doing during TH5? it sounds like she was Mima's familiar for awhile, so I wonder what was our character's thoughts during that time?
[X] The edge of the Forest of Magic
[1] The base of Youkai Mountain, in a thick maze of winding trees.
[4] The Garden of the Sun, smack dab in the middle of the golden sea of petals.
[6] The edge of the Forest of Magic, a stone throw away from the Human Village.
Lady Mima’s command over magic was unrivaled, her nuanced grasp of it outclassing practitioners even up to thrice her age. More than any other arcane art, she favors incantations that rely on astral forces.
Thus, it's only natural that her familiar would be an expert on the cosmos in her own right. Your master had you commit the night sky to memory, juggle the trajectories of a dozen comets at a time, and chart the positions of planetary orbits down to the millisecond. All of these things, you performed without flaw. To you, pinpointing exactly where a lone star hangs overhead is child's play.
Focusing on the sky, you mentally pin down the star’s current position and slide the bloody knife under your stained sash. Bracing to rise, you push yourself up - then halt as soon as you place weight on your foot. Right, you'd nearly managed to forget about that already. Your headache quickly reminds you of its existence with a painful throb, giving you further pause. It would be best if you postponed your journey until you've healed these annoyances away.
So you ease back against the tree once more and stare off into the distance with a vacant gaze. As a familiar, you have no need for food or sleep; your body is entirely sustained by the magic your master first conjured you with. How her power continues to feed you with her sealed away, you're not exactly sure, but you refuse to waste time complaining about fortune.
With nothing to hunger for and nothing to dream, you let the hours drain away, your mind filling itself with heroic fantasies. The seal cracking, your master emerging from the stone, your being finally given purpose once more. In truth, these thoughts are all that keep you held together.
By the time you break yourself free from that idle spiral, it’s already midday. By your estimate, at least a day and some change has slipped by, maybe two. Damn sky always moves so fast whenever you stop paying attention to it…
Regardless, your injuries have healed and you’ve regained your presence of mind. You waste no further time, kicking off the ground and flying through the canopy into open air. Even without the exact star out to guide you now that it’s daytime, its exact location is already burned into your mind. Your eyes lock onto where it was as if the night were still there. The ensuing flight is a short one, merely leading you to the westward edge of the forest you were already slumming around in. Circling the area from above, you almost immediately spot a landmark - a shabby building with heaps of odd objects piled around its walls.
Bringing yourself in for a landing a few steps outside its front door, you cast a cursory glance over the surrounding oddities. Boxes fitted with reed-like horns and rounded glass faces, tall metal poles topped with flat shapes and bright symbols, posters showing places you don’t recognize and headed with words you can’t comfortably pronounce. You find yourself alienated, not quite able to make heads or tails of anything you’re looking at. Just about the only thing you can say about the building is that it’s called “Kourindou”, as the big painted letters over the front door spell out. Any building with a sign that broad is usually open to visitors.
Reaching for the front door and finding it unlocked, you step inside. A little bell above the frame chimes, announcing your arrival.
Shelves. Shelves everywhere. Knick-knacks, novelties, trinkets, tools, and junk galore. Every surface of the interior has something claiming it, not a single nook or cranny in sight without some bauble or curiosity tucked away within. The building is absolutely crammed full of strange, exotic things, a sizable chunk of which you have no frame of reference for.
“Welcome,” calls a dull voice at the back. Peering past the aisles, you catch sight of a rather tall man sitting behind a cluttered desk, his silver hair halfway hidden behind an open book. He barely pays you any mind, seemingly more interested in whatever passage he's reading than the fact that somebody has entered his establishment.
Looking back and forth between the countertops, tables, and shelves, each containing its own unique hoard of items, you shift in place uncomfortably. The stars heeded your request for guidance, so you know there must be something amongst these heaps that will help you understand seals. But the sheer number of objects makes the task seem overwhelming. Where would you even begin?
Perhaps the man would be a good place to start. Maybe he’s the one you’re looking for, in fact. You beeline straight for him, grateful that the floor is much clearer than the racks. At the countertop, you rap your knuckles against the wood to grab his attention. He lets out a noncommittal hum in response and keeps reading.
That simply won’t do. For Lady Mima, you need his undivided attention.
Your eyes drop, landing on a desk bell. Perfect. You start to ring it, planning on continuing until he gives you the courtesy of eye-contact.
Four dings in and he bookmarks his page with deliberate patience, sets it down, and clamps a hand over the bell to stop the racket. Finally he looks up, fixing you with a dry look. “Need help with something?”
“Seals,” you say, withdrawing your hand. “Do you know anything about how they work?”
Raising a brow, the tall man considers the question. “A little. Enough to perform basic rites, like making purification rods. There should be some texts along the back wall that detail more advanced aspects though.”
How helpful. You give a curt nod and turn on your heel, already scanning for the shelf he indicated, passing a standing mirror on the way and catching sight of yourself in it. You can’t help but do a double take.
Your hair, once shiny and smooth, is now matted and dull from days outdoors. Dirt cakes your clothes, a few seams frayed. Even your skin is paler than usual, and your eyes carry with them a manic edge. You look mangy, like a creature that crawled out of the woods - and technically, you are. Lady Mima would never tolerate her familiar looking like such a mess. But it’s not like you’ve had much choice.
After she got sealed, you’d returned to her home to figure out what to do, only for Marisa to come back that night like she owned the place. Perhaps she does, since she’d be ahead of you in your master’s inheritance, but she certainly doesn’t deserve it. With how recent the sealing was though, you couldn’t work up the nerve to confront her over what had happened. So you made yourself scarce before she had a chance to even spot you, and you’ve been living under the open sky ever since.
“Are you one of Marisa’s friends?”
The pointed question snaps you back to reality. Flinching, you twist around. The man watches you from his seated position, feigning a disinterested expression. “You’re wearing her old dress.”
“No,” you bite out before you have a chance to compose yourself. Glancing down at the purple dress you’re wearing, you give it a few aggressive swipes, as if doing so could scrub away your relation to its owner. You’d rather choke than admit she gave it to you. “I… found it dumped on the side of the road.”
The light catches his lenses, obscuring his reaction. You can’t tell if he believes you, or if he’s simply choosing not to argue. “Sounds like her. Guess I should’ve expected something like that after she asked me to tailor her something new.”
He knows her? Suddenly wary of the man, you keep him in the corner of your vision as you turn to face the nearest bookshelf. “She sounds quite belligerent.”
“Sometimes.” He maintains his line of sight to you. “She still hasn’t paid me for the new clothes yet. Or for what you’re wearing, as a matter of fact.”
Purification rods, tailor work, and loads of foreign junk. This must be a service and curiosity shop. You’d have deduced as much sooner, if only the shop’s inventory had any prices listed anywhere.
Prices… Repeating that word mentally suddenly makes you realize that you’ve got a problem. How am I going to purchase any of these texts without money?
You’ve never needed currency. Your needs were always fully provided for by Lady Mima. Your days were spent in service to her whims and studies. Up until now, you haven’t exactly had the need or time to earn any cash, nor would you even know where to start doing so.
Banishing the conundrum to the back of your mind for the time being, you crouch down at the base of a bookshelf. You can worry about it later. For now, you need to find what you're looking for. You start to pass your fingers over various covers and scroll heads, eyes dancing over title after title. “The complete works of Saigyo Hoshi.” “Tale of the Bamboo Cutter.” Is this shelf nothing but fiction?
“Do you have a name?” The man’s question suddenly makes you wish you hadn’t been so incessant with that bell a moment ago. First he barely acknowledges you, now he won’t stop giving you his attention.
“Scryer…” The word mindlessly slips past your lips as your fingers distractedly flitter across book spines and tightly packed papers. What’s this rolled up here? “Bunbunmaru Newspaper, Season 117, Natsugi Issue #2.” Why would anybody keep old trash like this?
A beat of silence passes. Then, he speaks again, this time in a slightly incredulous tone. “That’s your name?”
“I-” You blink, hand freezing in place.
What did you just say? You were so focused on the task at hand, you weren't even thinking. Replaying the exchange in your head, you realize your mistake. You’re used to being called Scryer since it’s what Lady Mima referred to you as more often than not. You like to think it was a term of endearment. However, it’s not your name, just the role you performed for her.
Shaking your head, you return your attention to the shelf and clarify your response.
[?] What is the familiar’s true name?
-=ALSO=-
Once you find a text on seals…
[ ] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
[ ] Snatch it and bolt! Who cares if you make an enemy? You can’t pay for it, and you don’t have the patience to put off aiding Lady Mima until you can.
[?] (Write-in)
[X] Snatch it and bolt! Who cares if you make an enemy? You can’t pay for it, and you don’t have the patience to put off aiding Lady Mima until you can.
Crimes! Criminal action! Revolutionary darkness! Justice for Lady Mima! Fuck the sun!
Five finger discount!
[X] Snatch it and bolt! Who cares if you make an enemy? You can’t pay for it, and you don’t have the patience to put off aiding Lady Mima until you can.
[X] Snatch it and bolt! Who cares if you make an enemy? You can’t pay for it, and you don’t have the patience to put off aiding Lady Mima until you can.
Just put it on Marisa's Tab, she's (not) good for it.
A close reading of the text indicates the familiar's name is "Ai". Good solid traditional girls' name.
[X]Snatch it and bolt.
If he wanted to be paid he should have listed prices.
[X] "Gall Darn B. 'Tain't None." As in "'Tain't None of Your Gall Darn Beeswax! ...The Third."
[X] Snatch it and bolt!
Lady Mima would not care for the opinions of the peons, and neither should you!
[X] Rin Satsuki
Clearly Mima had called Rin back from the void of discarded ideas to serve as her famliar.
That or something screwy may be going on with our dear protagonist and a certain nonexistent kirin.
[X] Kill the man and take the text! You don’t have the money to pay for it and neither do you have the patience to put off saving Mima by doing labor for him. However, you’d rather not make an enemy who’ll come after you so you’ll take preemptive action and murder the man with your knife before taking the text.
#Murderous thoughts intensify.
[x] Koboshi - "little Star"
a play on a couple of things, makai has a mixture of English and Japanese names, now Mima would have a English named apprentice and japanese familiar.
also playing off of the whole TH6 Daiyousei and Koakuma 'little' 'big' thing, this time with a star (for her ability.)
Also I find it a little funny that after we do go with the Forest of magic, we kick it off by (so far) universally voting to pull a Marisa immediately
...which I will join in on!
[X] Snatch it and bolt!
Oh, [X] "Gall Darn B. 'Tain't None." As in "'Tain't None of Your Gall Darn Beeswax! ...The Third."
[X] Koboshi - "little Star"
A good idea. Classy, but it still reflects our station as a familiar.
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
I can see I’m going to be outvoted on this, but there’s a difference between being a minion and being a moron. We need long-term allies if we’re going to outplay the miko and set our master free. That includes the shopkeeper, potentially a valuable resource unless we draw his ire with some amateurish display of kleptomania. Then again, maybe he’s into light-fingered women?
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
Seems to be more reasonable to me
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
Because earning heat will only help us free our master.
Also
[X] "Gall Darn B. 'Tain't None." As in "'Tain't None of Your Gall Darn Beeswax! ...The Third."
What better way to dedicate ourselfs is to only have your master know your true name. Only she gets the right to say it.
[X] Rin Satsuki
[X] Offer your labor in exchange.
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
don't see why we need to piss off someone who could potentially help us.
[X] Rin Satsuki
Maybe this could be our fake name instead?
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
[X] Koboshi - "little Star"
[X] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
[X] Koboshi - "little Star"
huh the 'don't pull a marisa' option pulled ahead, quite a comeback from the opening...
I would point out its not like Marisa taking from Rinnosuke has really drawn his ire and its not like he already hasn't gotten a clue we are connected. (and I would find it hilarious if our familiar here gets ticked that he finds them similar because of doing it.)
...wait, if he knows marisa from as far back as when marisa got her first dress,... does he know lady Mima?
>>214902 is me, forgot to fill in the field
And i did misword that last bit, we know that he's known Marisa longer than Mima has, but ig he was involved in her first magician dress probably when she became Mima's apprentice then does he know Mima? Or just of her from Marisa?
>>214902
Because people are cowards.
Because some of us understand self-discipline and diplomacy. We tried to free Mima at the start of the story, acting impulsively with no backup. How’d that go?
What a rollercoaster! I'll be calling the vote here so I can get to writing the update.
Looks like the familiar's name is going to be Koboshi. Although, I'll go ahead and interpret the "Gall Darn B." votes as not wanting to reveal that name to Rinnosuke, since there seemed to be a few people suggesting the use of a fake name/having our real name be known only by Lady Mima.
>>214903
This is a good question.
>>214905
Hilariously.
>use of a fake name/having our real name be known only by Lady Mima.
anyone taking bets that Marisa's about to burst down the door in a minute here and blurt out Koboshi's name?
...So, this is the reality of Mima's household.
They're just kleptomanic thieves.
Mima wants to steal from the Hakurei, Marisa steals from everybody, and "Scryer's" first instinct is to bolt with it in hand.
This is the One Truth of Complete Darkness.
Really, I’m wondering if Koboshi trying to use Rin Satsuki as a fake name means that she’s met the actual Rin Satsuki or not.
Funny thing with that is that the vote not to steal the book won. meaning that Koboshi has the unevniable position of being the responsible one.
It was a close-run thing. Fortunately Koboshi-chan remembered to take her meds today.
The familiar’s name is:
[1] Ai
[5] Koboshi - “Little Star”
-[3] "Gall Darn B. 'Tain't None." As in "'Tain't None of Your Gall Darn Beeswax! ...The Third."
-[3] Rin Satsuki
Once you find a text on seals…
[1] Kill the man and take the text! You don’t have the money to pay for it and neither do you have the patience to put off saving Mima by doing labor for him.
[6] Snatch it and bolt! Who cares if you make an enemy? You can’t pay for it, and you don’t have the patience to put off aiding Lady Mima until you can.
[7] Offer your labor in exchange. You were made to be given tasks. Nothing the shopkeeper could ask of you will be more difficult than what you’re used to.
Why should you tell him that information? Frankly, it’s invasive. As a customer browsing his establishment for the first time, the shopkeeper has no right asking you for any of your personal details. Now, if you were a regular or presented yourself as a particularly chatty sort, then it would be more warranted. But you didn’t.
And what reason would he have to ask, anyway? Is he being sociable, or does he have an ulterior motive? Admittedly, it’s a little paranoid of you, but you can’t help feeling suspicious that he asked right after probing you about your relationship to Marisa. Will he mention you during their next conversation? Possible, but that assumes a lot about how close they are. Marisa never mentioned knowing any shopkeepers to you, but then again, she never spoke much about her past or life outside of Lady Mima.
Overall, you’re not keen on telling this man your name. In fact, you’ve just decided that your true name is something only Lady Mima has any right to know.
How did it go again? Gall Darn… B? Whatever. The idea of shaming him with a very witty and incredibly scathing quip dies before it has a chance to live. So instead, you simply shoot him a squinting frown. “It’s the only name you’re getting.”
He doesn’t pry any further. He gives a brief hum and reopens his tome to the page he’d bookmarked, like you were no more than a passing interruption. Good. At least some people know how to take a hint when they’re told ‘no.’
Now then, back to business. You return your attention to the shelf and hunt for anything of relevance. Books on books. Scrolls wedged in tight stacks. None of it is organized. Historic texts packed next to a children’s story, a western mystery novel propped up against an autobiography, it’s all one big unruly pile of noise.
Disorganized messes like this are exactly the sort of thing you worked hard to prevent before they got out of hand. Lady Mima wasn’t so bad to clean up after, but her apprentice had a hobby of multiplying clutter, and therefore, your workload. This shop’s disarray is starting to remind you a lot of Marisa’s room.
You spend a long time scanning the bookshelf, only to come up empty handed. Letting out an exasperated breath, you shift toward the next bookshelf. It's as messy as the last, and you can't keep your eye from twitching. However, you have no choice but to continue looking. Taking a deep breath, you begin your search anew.
Time blurs as you dedicate yourself to the repetitive search. Scan, check, dismiss. Your thoughts drain away and your body runs on routine. It’s a state of mind you find yourself in a lot when performing tasks and duties. You’ve always found it easy to lose yourself in your own head. It’s a very useful trait for a familiar to have, given that most of your days consist of performing monotonous busywork.
Hold on. What was that?
You dredge your mind back to the current moment. This is perhaps the seventh shelf you’ve stopped at. Your finger is currently pressing atop a scroll, your body having noticed its significance before your brain. It bears the mark of the Hakurei Shrine. Promising. You pull it free from where it’s wedged and yank it open. The paper is old, as is the scroll’s casing - probably a few generations at least - but the brushwork is crisp. It details the form and function of a seal much like the kind your master is being imprisoned by.
Your wings stiffen with excitement. This is a jackpot. No, this is more than a jackpot, it’s the mother lode. A scroll illustrating and walking its reader through not just any seal, but one specifically used by the Hakurei bloodline? You couldn’t have asked for better!
Then it hits you. That problem you pushed off? It’s reared its head back already. You can’t pay for this, you don’t have any money.
Naturally, your first instinct is to scram. Lady Mima always said it was foolish not to seize power placed within arms reach. She was remorseless when it came to taking what she wanted. If she cared not for the opinions of peons, neither should you. And yet, your grip on the scroll tightens, your feet immobile. Despite knowing that it’s what your master and her apprentice would do, you hesitate to steal the scroll you so desperately need.
Because unlike your master and her apprentice, you simply aren’t strong. You know many rituals, but have never cast a spell. You have fangs, but have never brandished them at another. You are a familiar, not a combatant. If Lady Mima or Marisa ever drew heat for their actions, they could fend for themselves. Can you say the same? If your run-in with the Hakurei proved anything, it’s that you can’t. So if the shopkeeper were to report that you stole this scroll, would you be able to stop a youkai exterminator from hunting you down and taking it back?
Reluctantly, you roll the scroll back into its casing, then walk past dozens of shelves before tapping at the desk bell once more. The man uncovers his face from behind the pages of his book, hand poised to swipe the bell away in case you start avidly ringing it again. Seeing that you don’t, however, he slowly retracts his hand. “Find something you want?”
“I did.” You place the scroll atop the desk.
Picking it up and giving it an appraising glance, the shopkeeper hums thoughtfully. “A sacred Hakurei scroll of youkai sealing. Interesting choice of purchase coming from a youkai.” He adjusts his glasses. “This came in not long ago. Reimu was selling off things that were collecting dust around the shrine.”
Although you don’t really care how or why the scroll ended up here, it still strikes you as particularly foolish that the Hakurei would exchange such an important text for some quick cash. You could never imagine doing the same. “I’m short on funds at the moment. I don’t suppose you’d accept any sort of alternative payment?”
He pauses mid-thought, though he doesn’t appear surprised to hear that, as if it’s a line he gets regularly. “It’s no problem, I’m always accepting trades.”
A trade? You’ve got nothing but the clothes on your back and Lady Mima’s knife, neither of which you’re willing to hand over. “Actually, I was thinking more along the lines of performing a service in exchange.”
“You’re offering to work a debt off?” The shopkeeper stares at you scrutinously for a second or two. “How am I supposed to put you to work if you won’t even tell me your name?”
Your face scrunches up as if you’d just bitten into something sour. Is he still on that? Unbelievable. “Isn’t Scryer enough? Why does it matter to you?”
“I like to know the names of things,” he replies with a nonchalant shrug. A moment longer passes before it’s clear that he has little other reason than simply being nosy.
He wants a name? Fine, he can have one. Memories flash through your mind of faces you’ve met in search of a name you can borrow. Your first thought is Elis, but borrowing a name from your extended family feels distasteful. Elly comes to mind next, but depending on how close the shopkeeper is to Marisa, he might recognize it. Then you recall a kirin you met in passing not long ago. She seemed like a rather forgettable person to you, ideal for your purposes. What was her name again?
“...Rin,” you say at last, managing to draw it out from the depths of your memory. “My name is Rin and I’m a scryer. Rin the scryer.”
In response to your very thoroughly crafted identity, the man stares at you stone-faced. “Your name is Rin?”
“Yes, that’s right. Is there something wrong with that?” A disgruntled growl rises from your throat. Why’s he so suspicious of your identity? Who does this guy think he is, the yama? Is he going to ask for your birthday, age, and star sign next? He should have zero reason for doubt. Not like he knows the name of things on sight.
Koboshi. That’s what Lady Mima had dubbed you upon your summoning, then proceeded to almost exclusively call you Scryer afterward. You existed before being contracted to her service, of course, but you held no identity back then. Now you’re “Rin,” which is a whole new name to start getting used to. All these thoughts about your name are starting to make your head spin a little. With any luck, you’ll be rescuing your master shortly and won’t have to spread it around much past this encounter.
“No, nothing wrong with it. Just so you know, I’m Rinnosuke Morichika.” He properly introduces himself, even though you don’t recall asking to know. Silently, you elect to continue thinking of him only as ‘the man’ or ‘the shopkeeper,’ since you don’t respect him enough to remember him by anything else.
“Well, I suppose I could think of something for you to do.” Looking around the shop for a moment, he rubs at his chin thoughtfully. “Are you any good at cleaning? The shop could use some tidying.”
“I’m great at cleaning.” An understatement, really. You’ve had to tidy up many elaborately designed rituals and pick up after a particularly clutter-making witch. That level of experience brings with it a black-belt in dusting and sorting.
“Alright, it’s a deal. Once you’ve sorted the place out, you can have your scroll.” The man nods, taking the scroll and stowing it away beneath his desk. Satisfied with the exchange, he picks his book up and starts reading where he left off.
Perfect. A clean this-for-that with minimal squabbling. As small an achievement as it is, you allow yourself to feel a twinge of pride. You’ve always preferred to take a backseat and let your superiors do the talking, so the fact that you’ve brokered such a beneficial deal for yourself has you feeling just a little bit more confident in your capabilities.
Turning around to face the storeroom floor, you immediately begin to enter task mode. Your mind fuzzies up, conscious thought taking a back seat as you begin passively making observations and running calculations. The sheer volume of variety in the shop’s inventory makes it plainly evident that organizing the place won’t be easy. You’ll have to map out the layout of the room, allocate each aisle to carry a broad range of items, examine each item to identify its purpose, then designate where those items should be slotted away, all while making it look nice and presentable.
You’ve already made a few laps of the shop’s grounds, mentally drawing a blueprint of the shop’s interior, how much total shelf space is available, and drafting up ideas for which aisles could be dedicated to what sort of items. A total renovation feels like it’s in order, moving where all the tables and shelves are to make the shop much easier to navigate and give the shopkeeper better visibility of his customers. Common items should go to the front, where people will quickly spot them, where rarer curiosities should be to the back, so that-
“Closing time,” the man announces, completely destroying your flow state.
Snapping to attention, you look over to see him standing from his desk. He looks around for all of one second before leveling an unimpressed cliff face at you. “It’s been hours and you haven’t done anything yet.”
Feeling your face heat up slightly, you shoot him an indignant pout. “I was getting to it. Have you seen this place? I can’t just get started without a plan. There’s a process to these kinds of things.”
“Well, that process will have to wait until tomorrow then.” Shrugging, your temporary employer walks around the desk and toward the front door. Flipping over a window sign to indicate that the store is now closed, he opens the door and gestures for you to vacate. “Time for you to go home. I open shop at eight in the morning.”
“Can’t I just work through the night?” That would be ideal. Without need for food or rest, you’re perfectly able to perform labor for days on end, a fact that Lady Mima took advantage of quite often.
However, from the blank stare you’re currently receiving, you get the distinct impression that the shopkeeper isn’t nearly as much a fan of the idea as your master was. “I’m not going to let a stranger run around my shop all night without supervision.”
Oh. Yes, that’s actually a very sensible thing for him to say. Pressing your lips into a thin line, you reluctantly begin to waddle to the front of the store and out the door. It’s currently dusk, you note, the last vestiges of daylight slowly receding beneath the horizon. The early summer air is still warm, but that will change as soon as the moon takes its place in the sky.
“Have a good night, Rin.” He waits a moment to see if you’ll respond in kind. You don’t. After a short bit, Kourindou’s door is shut behind you and locked. Looking over your shoulder, you catch sight of its owner retreating back to his desk through the door’s window.
Well then. This is inconvenient.
Pulling your wings back over your torso like a blanket, you let out a disappointed breath. It’s irritating to have had your task cut short like that, but you can’t exactly argue with his reasoning. You begin to walk away from the establishment, but soon come to a stop since you don’t really have anywhere to go. Being homeless sure isn’t fun. You liked it when you could take warm baths and had clean clothes.
Some time slips by your notice as you mull over your unfortunate circumstances, simply standing a short distance from the building as night takes its hold in the sky. Since you’ll be put to work again in the morning, you might as well keep your mind active instead of whiling the hours away like a statue.
[ ] Keep the momentum going. You’ve already memorized the store’s interior and made the beginnings of a renovation plan, so why stop just because you’re outside? The more prepared you are, the faster you can get the job done.
[ ] Perform a ritual. Having assisted Lady Mima set up many of her own, you’ve got a few cataloged in your mind.
-[ ] Identify the bloody knife. You’re certain that it’s important, so learning anything about it would be helpful.
-[ ] Amplify a star scry. It takes time to set up, but you can enhance the amount of knowledge you glean from the stars. (Pick One Scrying Option)
[ ] Scry the stars. Even though you’ll have the scroll soon, it wouldn’t hurt to turn to them for a little extra guidance. (Pick Two)
-[ ] Search for warnings. Knowing upcoming dangers ahead of time could be very helpful in avoiding them entirely.
-[ ] Search for allies. You’re short on friends at the moment and freeing Lady Mima is a big task to handle by your lonesome.
-[ ] Search for clarity. Having confirmation on what you are and aren’t doing right would ease any nagging uncertainties.
[X] Perform a ritual. Having assisted Lady Mima set up many of her own, you’ve got a few cataloged in your mind.
-[X] Identify the bloody knife. You’re certain that it’s important, so learning anything about it would be helpful.
Try-harding on a temporary job (especially for someone you don't really care about) feels unnecessary.
Let's figure out if that knife is just a fancy pen for blood or something we can actually use to fend for ourselfs before we're forced to find out.
[X] Scry the stars. Even though you’ll have the scroll soon, it wouldn’t hurt to turn to them for a little extra guidance. (Pick Two)
-[X] Search for warnings. Knowing upcoming dangers ahead of time could be very helpful in avoiding them entirely.
-[X] Search for allies. You’re short on friends at the moment and freeing Lady Mima is a big task to handle by your lonesome.
[X] Perform a ritual. Having assisted Lady Mima set up many of her own, you’ve got a few cataloged in your mind.
-[X] Identify the bloody knife. You’re certain that it’s important, so learning anything about it would be helpful.
Didn't Mima have a bloody knife?
[X] Perform a ritual. Having assisted Lady Mima set up many of her own, you’ve got a few cataloged in your mind.
-[X] Identify the bloody knife. You’re certain that it’s important, so learning anything about it would be helpful.
>Is given a complex task
>Stands there obsessing over tiny details for hours
Relatable. We need to introduce Koboshi to Factorio, stat.
I’m a little confused on the “amplify a star scry” option, but it seems like that lets us pick an in-depth version of one single scry rather than two vague scrys.
Identifying the knife and scrying for intel are both excellent priorities. Either is fine, but I think it makes more sense to do the scrying first.
[X] Scry the stars. Even though you’ll have the scroll soon, it wouldn’t hurt to turn to them for a little extra guidance.
-[X] Search for warnings. Knowing upcoming dangers ahead of time could be very helpful in avoiding them entirely.
-[X] Search for allies. You’re short on friends at the moment and freeing Lady Mima is a big task to handle by your lonesome.
[X] Perform a ritual. Having assisted Lady Mima set up many of her own, you’ve got a few cataloged in your mind.
-[X] Identify the bloody knife. You’re certain that it’s important, so learning anything about it would be helpful.
[X] Keep the momentum going. You’ve already memorized the store’s interior and made the beginnings of a renovation plan, so why stop just because you’re outside? The more prepared you are, the faster you can get the job done.
something tells me with Koboshi's really poor ability to keep track of time...
...
...(≖_≖ )
...as I was saying with her poor ability to keep track of time if we don't finish the plan we might lose another day before actually getting to the task given so I'll vote for this.
[X] Keep the momentum going.
If you give me 7 things to work on and I don't hard focus on one I'll make no progress on all of them.
We need the scroll (probably)
[ ] Keep the momentum going. You’ve already memorized the store’s interior and made the beginnings of a renovation plan, so why stop just because you’re outside? The more prepared you are, the faster you can get the job done.
One task at a time, we see the big picture of brining Mima back.
- Learn to break seal
- Get seal
- Break seal
- live happily ever after with Mima as she takes over the world and she makes us her most favorite follower, and so on and so forth
so hear me out, to get that scroll we should do the best job we can.... proving that Mima's followers are the best (Marisa being the exception)
[x] Keep the momentum going. You’ve already memorized the store’s interior and made the beginnings of a renovation plan, so why stop just because you’re outside? The more prepared you are, the faster you can get the job done.
We've been given job, this reflects heavily on Mima's house and the help she keeps and more importantly HER. We MUST give this our full attention until we earn the scroll.