[x] Grab Marisa and hide until the flying woman is gone, then carry her to Kourindou.
-[x] Watch and listen to the flying woman if opportunity presents itself: if you get some indication she's not malevolent, first come out from hiding by yourself to ask what's going on.

There isn't much time to think. For the sake of survival, you have to assume this flying woman is a threat. Priority number one is Mori, so you grab her arm and pull her close so you can whisper to her. "Pick a spot to hide and don't move until I tell you to come out. Be absolutely silent. Understand?"

Thankfully, Mori isn't petty enough to have an attitude in this situation. She looks hesitant, but nods and retreats into the trees on the other side of the path. That's one blonde secure.

You look up to see what the flying woman is doing. She's floating around, still nearby but unaware of you or Marisa's location. Fortunately, she doesn't appear to be any sort of beast-related youkai with super-hearing. If that were the case, she wouldn't have had any problems finding Marisa in the first place.

You turn to the drug-addled witch, who is staring right at you in her rainbow daze. "Ah!" she cries, much like a child who doesn't know words. Then she screams with giddy mirth, scattering some birds in the trees above.

This other blonde isn't going to be so cooperative, it seems. You close the distance between the two of you in a flat second, snag her by the waist, and throw yourself into the same brush she first stumbled out of. You land face-down in the grass with Marisa right by your side, who lands on her back and starts giggling. You cusp your hand over her mouth, and surprisingly she offers no resistance — content to stare up at the canopy of trees with her starry eyes glazed over in foggy delight.

The animals and other creatures of the forest around you have gone quiet after Marisa's little outburst, so it's easy to hear the woman touch down on the path. "I know I heard her," she grumbles loudly. "Marisa! Just come out already!" she calls. "Give me the doll back and I won�

You are a demon.

Your job is to heed to the call of humans who require favours or tasks to be completed. The craft of summoning creatures such as you and binding them to contracts is known as diabolism. Likewise, those who practice the craft are called diabolists. As a demon, once you have been summoned into the human world, you are unable to leave until you finish your master’s terms or die in the process.

Presently, your consciousness is manifesting in the human world. A diabolist stands over his summoning circle, reciting the incantations to anchor you to his world. A human corpse lies on the ground in front of him in the center of a hexagram. He recites from the large leather-bound book in his hands for at least ten minutes. The words are familiar to you; it is an ancient spell in a nearly forgotten language. His words will grant you the ability to do things in this world. In diabolism, the list of abilities you are granted are known as permissions. Without these incantations, you would be unable to breathe the air or to move through physical space. Experienced diabolists can add or remove words from the spell, modifying what you are allowed to do. In this case, the human’s ritual does not seem to be very advanced. His list of permissions are very textbook-standard – you’re allowed to walk, talk, apply force to matter, use magic, and so forth. You’re glad you will have the standard range of freedom this time around.

Soon the incantation is complete, and your essence enters the vessel set before you. You rise to your feet, but you are unable to go far. Your movements are confined only to the summoning circle beneath your feet. You circle around, taking in the empty room around you. The diabolist interrupts your thoughts with a feeble “H-hey!” and immediately you turn, fixing him with a neutral stare. He’s barely more than a boy, you realize. You’d place him for 17 or 18 years old – an impressive age to be able to successfully summon a demon.

“I, Caesar, have summoned you,” he says. You can tell from how he is speaking that he’s trying to sound commanding

Yukari was bored.

Now, this was nothing unusual by itself. Yukari was bored very often. However, this time it was a problem, because there hadn't been any kind of incident for months now, and it was starting to make her antsy.

To help pass the time, she watched the outside world a bit, but that didn't help much. It did, however, give her an idea. An idea involving a certain group of crooks she found...
====================
You shake your head and emerge from the van, your crewmates doing the same. Funny, you were pretty sure that, last you checked, you were in the middle of downtown Washington, DC, not in the middle of some forest.

Before any of you can properly question what the fuck just happened, your earpiece buzzes, and you start to hear the voice of your "handler", Bain.

"Uh, guys, you alright? Well, I don't know why, but apparently, we've caught the eye of someone very powerful, calls herself... 'Yukari', I think? Anyway, sorry, but she's pretty much holding you guys hostage in... come on, she wrote it down somewhere... Ah, here it is. 'Gensokyo'. Yeah, somewhere in Japan, hidden world full of magic and shit, I don't even know. Anyway, she pretty much told me that you guys are stuck there until she says, but she also gave me a pile of intel on the area, including some places where you can get some serious loot."

You all stay silent, taking in what he just said. "Yeah, doesn't make any sense to me, either. Apparently, she was bored, and decided to bring us here to alleviate that. Regardless, the van should have an ample amount of supplies, and... wait... she tells me she dropped a list of potential locations to hit in the van, and that once you've decided, she'll send both of us some more specific intel. And I know what you're thinking, that this all sounds stupid and very unlikely, but it seems like we don't have a choice either way. So we might as well make the most of a bad situation and profit from this. You all know what you do best, and I'll still be here to help you out, so good luck.

Message too long. Click here to view the full text.

Previous thread: >>62965
_________________________

You should really mind your own business, but you can't help it.

If you were working anywhere else, you'd tell her no and that would be the end of it. But you aren't, so who really cares? You grumble to yourself and snatch a manila envelope from the file cabinet. Sighing, you dump the envelope onto the hands of your employee.

Rylee stares hard at the envelope. A bewildered noise escapes her lips, but you don't say a word until she can form coherent sentences. “U-Uh. What is this?”

“It's an envelope,” you reply, folding your arms impatiently.

With a low voice, she seethes, “I know that.”

“Then? We were talking about your pay. What else do you think is in this envelope? A sincere letter of apology?”

“I mean, yeah, but...” Rylee pauses, and in a quiet voice, she says, “can you even do that?”

“I don't mean to be rude, but I just fucking did.” You stare at her like she's the biggest idiot in the world. “You should feel lucky that I got a big heart and an inclination to break the rules.”

Rylee frowns – though she looks more puzzled than anything else. “Uh, thank you, Boss,” she huffs.

“What, no snappy comeback?” you ask. Rylee without her sharp tongue is... new, to say the least.

Clutching the envelope firmly, she exhales. “I really don't have it in me anymore.”

Didn't really expect that from her but whatever, you're okay with that. It spares you from the unnecessary banter. The sooner you're done with this, the better. “Well, you better earn that advance on your paycheck. I expect nothing but hard work for the week.”

“Don't worry, I will,” she responds solemnly. “I'll even get back to work now.”

You recline back on your chair. Man, you don't know how to deal with the girls when they're all serious. Maybe you're too easy on your employees – Momiji included. After this, you better get your act together. Don't want y

It's cold again today, but that's okay. It's always cold in the winter, and concrete only makes everything colder. But that bracing chill on my legs and face every time I leave a happy customer's house is just another reminder that I'm still here and kicking, so why be bothered by a friendly reminder that I'm alive?

A little money to afford something longer than my usual skirt wouldn't hurt though. Or maybe socks would help more. Of course, if I have time to worry about something silly like that, I have time to head over to my next client! It's my duty to my customers to make sure they feel loved on Christmas, even if only for an hour! I can't waste time thinking about sad things like not affording a longer skirt!

I take a quick check in the secret pocket I keep on my body proper. Nobody in their right mind would think to look in the umbrella for the money, so it makes a perfect hiding place! So long as the wind doesn't pick up and tear the pocket out over a drain, like yesterday, or like how the news on my last customer's television said there would be a record snowstorm tonight with high winds! I still have the seven yen from my last customers. The local Girls don't let me work for more than 20 yen an hour or their boss will hurt them for not telling them about a potential employee, they tell me. The thing is, I get so scared that my friends will get hurt that I can never bring myself to work for more than a single yen, and I always end up advertising them at the end of my sales pitch...

I'm getting side-tracked. So, there's the seven yen. Snug and secure in its pocket. Good. There's the Ticket Home that should get me back to Gensokyo if I can earn the money for a trip from Okayama to Hakuba. While simultaneously feeding myself. And finding children that are young enough to not be numbed by video games and actually be scared when I find them. Between jobs to feed my body.

I'm getting sidetracked again. Seven more yen than you had this morning, good. Ticket Home, good. Box of home-made matches to sell between clients, good.

It's getting dark, and I'm on 221 Minato Dori. I only

Blackjack and games of youth.

Previous thread >>62644

Blurbs: www.touhou-project.com/others/moretheater.txt

---

“You really are incorrigible,” Reimu crossed her arms and shook her head. Still, I could tell she had a soft spot for my antics. Somewhat more than Alice did, at least. After a pause, she added, “maybe I should talk to the poor girl myself.”

“Maybe,” I said. “I’m not too keen on breaking hearts.”

“Could have fooled me,” she smirked.

I could get used to to that kind of banter. President and veep all alone in the student council room, trading friendly barbs, dealing with the needs of the student body… and, well, maybe the needs of our student bodies from time to time.

“You really need to at least pretend you’re not having dirty thoughts,” Reimu sighed. Oh, I made it a little too obvious.

“Sorry, it’s just that since we’re so close, I feel like I can let my guard down around you.” Not the best excuse but a little playful wink kept the mood light.

“Keep your guard up a little higher,” her laconic response was all in good humor, I was sure.

“But yeah, I don’t know, maybe it’ll be best if she hears it from you. I’m not sure if she’s fallen for me or would happily beat me to a bloody pulp.”

“The latter is a feeling I’m sure most girls here share,” she said, continuing to pile on the hurt.


“I can’t believe my cute president is so mean~” I feigned being hurt, wiping away fake tears with my sleeve. “And here I was going to propose we ditched this place and went off to a romantic retreat through the weekend.”

“What’s more romantic than getting work done with a subordinate?” she teased, clearly having deduced what I was thinking about earlier. “Do your job and you just may get those cookies you mentioned earlier.”

“A treat from Reimu? I’d finally be able to depart this world and make it to nirvana.”

“You’re a spirit filled with regrets now?” she shook her

CONFIDENTIAL - YOUR ORDERS

To: [REDACTED]

Tenma has picked up on a potential situation outside.
A criminal element operating in the National Capital Region has, in the course of their expeditious acquisitions, obtained information lending weighty credence to the possibility of a land existing cut off from modern day Japan. This particular band of thieves and malcontents has, on basis of intelligence gleaned from your prior investigation, been assessed as radicalized and non-trivially competent, and must be dealt with before they realize what they have on their hands. Your mission is to find and interrogate their leader, and evaluate the level of intelligence they have procured as well as the origin of this information before reporting back to the handler for new orders and eventual extraction. It is imperative that you determine the source—it is currently unknown how this information still exists after the separation from the outside world.

--------

PROLOGUE - FIRST WORLD PROBLEMS


Humans never realize just how much they keep hurting everyone.

As you pass through the door of the convenience store, the clerk at the front gives you a hearty welcome—clearly with little actual heart, as you note the scent of apathy people in her position always seem to give off beneath the surface. Skimming over the racks of magazines, you pick out one at random to read.

Swimsuits.

Your glance darts upward from the girls of the outside world to a lone police car outside the store. Standing by the cruiser, its operator's clenched hands and fixation on the radio tell you just what you needed to know as you arrived on this street—that it was a wise choice to not show up in your usual garb, and that your targets are stirring something up exactly where you expected them to.
The fear in the air almost makes you envy your opponents.
Almost.

In the few passes you've made around the Human Village, Outside World technology was a curious niche. The few who fell in, survived their first nights, and successfully s

The morning smashes you on the head and cracks your eyes open. It's a feeling you're intensely familiar with — the result of far too many drinks at the shithole down the street. You sit up and rub as much crust and haze out of your eyes as you can and silently praise the curtains keeping most of the intruding light out of your bedroom. The alarm clock reads 7:02. It's early, but apparently you were too drunk to wash your mouth out whenever you made it home. Now your tongue feels rotten and all you can taste is stale alcohol and ass. You breathe into your hand. It doesn't smell much better. You can't fall back asleep like this.

But when you throw your legs over the side of the bed, you become aware of slow, faint breaths that are not your own. You turn carefully behind yourself to the blonde head of the woman who had been sleeping next to you the whole time.

Holy fuck. You've had a barren run of it these past several years, so you can't help but feel impressed with yourself for hooking up with someone in a bar. But this is also way more awkward than you want to deal with this morning. If only you could remember the actual hooking up business. Maybe if you take a good look at her face, you could figure it out. . .

You hover closer to see, but her looks stop you cold. She's cute for sure, but there's definitely something that's... unsettling. She's hunched over into the fetal position, her slim shoulders barely sticking out of the blankets. Her face is round, just slightly tanned, and flawless even without the touch of makeup. There's just enough fat in her cheeks to where you'd like to pinch them, and she snores gently through tiny nostrils and pursed lips.

In conclusion, she looks just a little young, doesn't she?

Some women are that way though, and many even consider having a babyface to be an attractive feature. Yet as you look closer at her small form obscured by the blankets, you feel less and less convinced that this is a woman at all. Carefully, you lift up the covers to settle the matter once and for all.

Shit. Shit.

You are no expert of fe

“I couldn't care less about it.” You stop to take a bite of the pasta. You're not the best cook, but you're good enough. Maybe whenever Momiji returns to Gensokyo, you'll fill in as the cook. A sobering thought. “But I do care about the people who work there, more or less.”

“Well, aren't you just the sweetest?” Momiji flashes you a sly smile. “The girls have a great father looking over them.”

“Hahahah, no.” You shake your head with disgust at the wolf tengu.

She allows herself a quick chuckle. “Isn't that basically how it is? I know Cassie and Lily basically adore you. And Rylee...” she trails off. “Well, she's the rebellious one, right?”

“Nah.” You pause to think about your employees. You suppose they're all good people at heart. Even Rylee. Still an asshole to you though. “They're all big girls. They can take care of themselves. And if they can't, I'm sure as hell not going to.”

“But you do!” Momiji shivers, retreating further into her hoodie. “Lily said you saved them all from all kinds of shit. You're like their hero.”

“Sure, if you consider underpaying employees heroic. I didn't do jack shit.” You wonder exactly how much Lily told her. Not like it's a big secret, but you didn't think Momiji and Lily talked much outside of work affairs.

The wolf tengu pulls her hood up and retreats to your room. “I'm heading over to the bed. I'm just a little tired.”

At this point, it's a waste of your breath to tell her that it's not her fucking house. You sigh and pick up the plates, throwing them into the sink. A quick rinse does the job, but you should really get to washing all your dishes completely before you run out. Another time.

Momiji rests her head limply on your pillow, trembling under the covers. “Man, it's really fucking cold.”

“I feel alright. Are you sick?” You don't bother waiting for a response and immediately slap your hand on her forehead. She has a fever. The wolf has a fucking fever. “How do you even get sick?”

“Like most peopl

I'm thinking of writing something else and am looking for feedback. Even if you don't read this story, if you're interested in seeing more writing by me, feel free to share your thoughts. Right now I have a shortlist of the following things I could write:

[] A /th/ story involving an incident in Gensokyo featuring spell casters fighting it out.
[] Reviving my /sdm/ story, A Ruby Red Cotillion >>/sdm/59874
[] Reviving Violet Sky, a noir story: >>/others/37032
[] Reviving DiM, an /eientei/ story featuring scientific study of youkai, >>/eientei/22420
[] None of the above (insert idea here)

Additionally, I'd like to know if you would be willing to read anything other than the choice you've selected. Alternatively, you could rank the above choices in order of preference.
[] I'd read the others.
[] I'd only go for the one I voted for.

This is not a numbers vote, meaning that I won't go with what has the most votes. Since it's a commitment to write and do a halfway decent job I have to feel comfortable doing another story. I've been at this long enough to know that things won't work out otherwise. I want to have as much feedback as possible before making a decision and gauging where interests lie will be really useful. I'll see about writing more as interest and my schedule permits, so I'm not saying that I'm never going to do the others either.

Chime in wherever, no matter what other vote there might be in the story. Or talk to me on IRC. Just let me know what you think within the next few days.

And now, back to the regularly scheduled story.

-

A double rainbow of youth.
Previous thread >>62099

New Character blurbs: www.touhou-project.com/others/moretheater.txt
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The rest of the lunch hour went by in relative quie